“Copper plates have been used as supports for oil paintings from early time, particularly in Holland. These have been most successful when the pictures were small and jewel-like” — Ralph Mayer. “The Artist’s Handbook of Materials and Techniques”.
This is an uncirculated 1948 (my birth year) penny whose obverse side’s shine is permanently sealed with Spar Varnish along with the edges. The reverse side with the painting has two coats of lead white oil priming. The painting is done in five layers. Around 40 hours actual work on the painting.
This is impossible to photograph. I show it on a black background in its original size to see it better, but can really only be seen properly in one's hand.
That looks so beautiful....and it sounds like an amazing technique!.......It does actually show up very well but it must be so spectacular to have it in front of you!..It's a fascinating sight!
It's the technique of a damn monk in a medieval monastery. So tedious--not sure I want to put myself through it again. In person it's smooth and like a jewel.
Ah ...but monks in a medieval monastery hadn't much else to do except pray,sing,clean...and eat!;D...I'm so glad you persevered it looks so lovely...even reproduced on D.A.Wish I lived closer I would love to see it!