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The Artist's Wife, Oils by *hank1:iconhank1:


©2006-2009 *hank1
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Submitted: December 19, 2006
File Size: 9.7 MB
Image Size: 2.5 MB
Resolution: 800×638
Comments: 46
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Artist's Comments

Oils on canvas
16 x 20"
1984

This, in the artist's opinion, is not my greatest work. That would be "Early Afternoon". But this is my my personal favorite. It shows my wife's sense of life. There's a chain lock for the door, but she doesn't use it. She's open and fearless in facing the world.
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Comments


beautiful! i really love the way you use light.

--
Behind every great man...
there’s a woman rolling her eyes.

www.annagreaves.com

My Prints
So many stories pop into my mind with this one. An aniticipated visitor walking up but not yet to the threshold, a lingering conversation that even after goodbyes still holds too much enjoyment to let go of. I really love the warm background/wall. You inspire me to see what can be done besides what is there in the photo reference. No doubt I would have ended up painting a white drywall wall. I am still learning.
Again, another one of my favorites. So rarely here do I see such a beautiful use of light and shade.

--
Visit my gallery.
i like this one alot its amazing.
The chain does look very slightly out of place, but I love how the light illuminates her face, and how she's facing whatever/whoever's outside with a warm 'glow'. (And a hand perhaps extended in greeting). It's beautiful. :D

--
"Honey, I'm Farlander. I'm married to my Library, and you are not it."
Amazing! Is it painting from pic or from life?

--
Ilana
Both. I would start a drawing from life, getting a pretty good idea of the final outcome. I don't hold my model for long in posing. 15 minutes or so at a time. Might take days this way for the drawing. And no, she doesn't have to find the original pose again during subsequent poses. In fact I like to see a similar but not exact pose in order to "see around" the model. This drawing is what I started the painting with. At some point during the painting process I took a photo of her. You can see deeply into a photo for details such as hair that you'd have to go up close to the model in painting her and then back to the canvas.

I took a photo of the chain to work from although in the painting I emphasized the color (in the photo it was a rather dull light brown, somewhat near raw umber, white and yellow ochre) and highlights.

--
"The artist sees what others only catch a glimpse of." -- da Vinci

Originals: "Prices" [link]
My thanks.

--
"The artist sees what others only catch a glimpse of." -- da Vinci

Originals: "Prices" [link]
Great portrait, these are the kind I love, the kind that are interresting!:D
The contrasts between light and shadow are beautiful, and at least I know I get a sense of actually being there.
And the whole 'facing the world without a chain on my door' thing is a theme I like a lot.:)
beautiful work. i love the earthy tones. great work indeed:)

--
"I don't take drugs: I am drugs."
Dali

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